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I prefer the 2017 version of the Pantone palette layout order. 2019 is completely different, is there away to reorganize the colors you use the most to always open in the order you set or default order they were in 2017. I set CMYK and Pantone solid - 3 rows of each that are my preferred. PANTONE Color Manager 2.3.4 中文破解版 (强大的彩通色彩管理器).

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If four-color process printing is like mixing together flour, sugar and baking powder from scratch, PMS color printing is a little like using pre-made cake mix. You don't have quite as much flexibility with your recipe, but it's a great choice if you're looking for a consistent taste because you always know exactly what you're getting.

This guide will walk you through the definition of PMS color and its pros and cons, as well as tips and tools for finding, matching, identifying and converting PMS colors.

What is PMS Color?

PMS (which stands for Pantone Matching System) is a color system based upon over one thousand standardized ink colors. Though the system was originally developed by the Pantone corporation, it's the standard used by many ink manufacturers throughout the country.

Unlike the CMYK color system, where cyan, magenta, yellow and black ink are mixed during the printing process, PMS inks are already mixed long before printing begins. That helps to ensure you'll always get the color you're expecting and minimizes variation throughout the print run.

Be aware that Pantone colors can be labeled as either coated (C) or uncoated (U). Coated inks are designed for coated paper stocks, while uncoated inks are made for uncoated stocks.

Advantages/Disadvantages of PMS Printing

The advantages of PMS printing include:

• Cost-effective option for light coverage designs containing three or fewer colors
• Rich, deep colors ideal for monochromatic designs
• Most consistent color, with no perceptible variations between printed sheets
• Best choice for printing certain colors, such as orange, grey and navy blue
• Access to unique colors, such as metallic and neon hues
• Excellent for color branding, such as matching the hue of a company logo
• Prints small text legibly, without blurry color auras

The disadvantages of PMS printing include:

• Less cost-effective for designs with four or more colors (not including tints of the same color)
• Less ideal for printing color photographs

For more information about PMS compared to other color systems, check out our blog post about the difference between RGB vs. CMYK vs. PMS color.

Tools for Browsing and Choosing PMS Colors

Download google chrome for windows xp 32 bit standalone. Pantone Color Book – Solid Coated/Uncoated Formula Guide
Even though you can design using Pantone colors in Photoshop, Illustrator, or InDesign, the colors on your computer monitor can vary greatly and will almost never look exactly the same as a printed PMS color, making any Pantone color chart you find online of limited use. To get the most accurate impression of how your printed PMS color will look, you should refer to a printed version of the PMS color book.

Pantone offers several publications that represent the industry standard for previewing and selecting PMS colors, the most popular being this Formula Guide, which includes 1,755 solid colors for both coated and uncoated stocks. It's a bit of a splurge at $149, but it's still the best choice if you want to eliminate the guesswork that comes with online PMS color charts.

Pantone Color Finder
Pantone's website features a search engine spanning every single PMS color they offer. Since you'll be viewing them on a computer screen, this tool isn't the ideal choice for previewing a color you intend to print. It's very useful, however, when you already know the name or reference number of a specific color you like and want more information about it.

Simply enter the color name or number into the field and click 'Search.' You'll be able to see a sample of the color along with a listing of the Pantone color books it can be found in. You can also search for specific terms such as 'blue' to see the PMS colors with names that include that term.

Pantone X-Ref (Cross-Reference)
Say you've got a standard coated PMS color you really like, and you want to use a similar color in metallic ink, neon ink, or another Pantone category. This is the tool for you.

With X-Ref, you can select a color from one Pantone color guide (such as the basic Formula Guides, the Color Bridge, Pastels & Neons, and so on) and find the color that most closely matches it in another guide.

Start by clicking 'PANTONE Color Guide' and selecting the book that contains the color you're referencing. Then, click 'Color' to browse the colors in that book and select the color in question. Finally, click 'X-Ref PANTONE Guide' and select the book in which you want to find a matching color.

Matching PMS Colors to an Image, Logo or Surface

Want your PMS design to match an existing printed design, a piece of storefront branding, or even your product itself?

You could use the Pantone formula guide to match them by eye, but if you've got some extra money in your design budget, consider using Capsure. This is a hand-held tool that allows you to sample a color from virtually any surface you desire and instantly match it to the closest available PMS colors.

Just know that Capsure comes with a hefty $649 price tag. If you can get by without the extra convenience, you may want to make do with a normal printed Pantone color book.

If you want to match your color to a digital image (such as a website or digital photograph), the easy-to-use web tool Pick Color from Image can help you out.

To use it, just click Browse, select the image with the color you want to match, and then click Upload. Your image will be displayed on the page. Now, just click the spot on the image with the color you want to match (such as a website's background, an employee's T-shirt, or a piece of text). The tool will then display the PMS colors that most closely match it.

Keep in mind that digital images use the RGB color system, so you'll never get a perfectly accurate PMS match—but you can get a close approximation. If you want a truly accurate color match, stick with Pantone's color book or Capsure.

Identifying the PMS Colors in Your Design

When requesting a quote or ordering a custom folder from Company Folders, you'll be asked to provide a number for each PMS color in the design you intend to print. Here's how to obtain those numbers so that you can add them to the necessary forms.

Use this section only if your artwork has already been designed with Pantone colors. If you've created a CMYK design that you want to print with PMS, you'll need to convert to PMS colors first.

Illustrator
If it isn't already open, open the Swatches window by clicking Window and then Swatches. Each Pantone color in the design will be labeled with PANTONE followed by the PMS name or reference number (such as 801 U or Bright Green C).

InDesign
This is essentially the same process as with Illustrator. Open the Swatches panel by clicking Window > Color > Swatches. Each Pantone color in the design will be labeled with PANTONE followed by the PMS reference number.

Photoshop
Double-click a layer consisting of PMS color elements. Click Color Overlay and then click the colored square next to 'Blend Mode.' If the layer in question is set to a PMS color overlay, you will see the name or number for that color highlighted in this window.

Converting to PMS Colors

It's best to create a design that you intend to print with PMS ink using Pantone colors from the very beginning, but if you've already created artwork with RGB or CMYK colors, you might be able to turn it into a PMS design without too much hassle.

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Alternatively, you can use this RGB/CMYK to PMS web tool to instantly view the names of the PMS colors that most closely resemble an RGB, CMYK, or hexadecimal color.

Just input the individual color values for your color of choice. You can enter red/green/blue or cyan/magenta/yellow/black. You can also enter HSV (hue, saturation and value) numbers or the hex code of a color you might use on a website. Any close-matching PMS colors will be displayed automatically.

This is also a handy tool if you're building a design from scratch and want to match the RGB or CMYK colors in another design as nearly as possible.

Conclusion

PMS color printing can result in some truly spectacular works of art. Similar to writing a haiku, it's all about understanding the nuances and limitations of your medium; working within those limits can actually help spark your creativity.

Do you have more questions about designing and printing with PMS colors? Got a PMS design you want to show off? Feel free to leave a comment below!

Pantone Plus modernize the way Adobe applications use spot colors from color book manufacturers. Adobe Illustrator, along with InDesign and Photoshop, uses the Pantone Plus Series® of color books. Pantone Plus includes the PMS colors, replacing the earlier Pantone Matching System®.

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Pantone Color Libraries in Adobe applications, such as Illustrator, Photoshop, and InDesign, are available under a business agreement between Pantone and Adobe. This agreement does not cover all the Pantone color libraries, therefore, you might not find certain Pantone libraries in Illustrator and other Adobe applications.

In addition, both these applications have independent update cycles, so recent updates to Pantone libraries may not be immediately available under Adobe applications.

You can update the color libraries using the Pantone Plus Digital Libraries Installer. For more details, see Pantone Color Manager.

Adobe Illustrator has three types of color swatches: process, global, and spot.

Process and global color swatches are related to the document color mode. Changing the document color mode from CMYK to RGB converts the process or global colors. Changing the document color mode back again is a second conversion, not a return to the original color.

Unlike process and global color swatches, spot color swatches preserve the definition and color modes (CMYK, RGB, LAB, Grayscale, HSB, or WebSafe RGB) in which they are created.

Color swatches can be created by either of these:

• users
• color book manufacturers such as Pantone
  

Color system manufacturers create standardized colors for communicating color information across apps and processes. These standardized color libraries are called color books.

The Pantone Plus Series® in Illustrator includes ten libraries:

• PANTONE+ CMYK Coated
• PANTONE+ CMYK Uncoated
• PANTONE+ Color Bridge Coated
• PANTONE+ Color Bridge Uncoated
• PANTONE+ Metallic Coated
• PANTONE+ Pastels & Neons Coated
• PANTONE+ Pastels & Neons Uncoated
• PANTONE+ Premium Metallics Coated
• PANTONE+ Solid Coated
• PANTONE+ Solid Uncoated

The filename extension of these color books is .acb.

Before CS2, spot colors from Pantone and other systems used CMYK values as the color definitions. CMYK values were whole numbers.

Pantone color books, introduced in CS2, use Lab values as the color definitions. The equivalent CMYK values aren't always whole numbers.

The filename extension of these color books is .acbl.

In Adobe Illustrator, you add named color swatches, such as manufacturer-supplied spot colors, to the document swatches.

Spot colors in the Pantone Plus Series® use Lab values. There are no CMYK definitions for spot colors in the Pantone Plus Series®. Therefore, to add Pantone Plus spot colors to your document swatches, define spot colors using Lab values.

To define spot colors using Lab values, choose Spot Colors from the Swatches panel (Window > Swatches), select Use Lab values specified by the book manufacturer, then click OK.

With the Pantone Plus Series®, Illustrator, InDesign, and Photoshop CS6 and CC all contain the color libraries from Pantone, enabling seamless exchange of book colors from one app to the other. And because the spot colors use Lab values, the visible results are much closer to the real inks available. Using Lab values for spot colors also reduces the difference of appearance between the Normal and Overprint Preview viewing modes.

CMYK, as a color mode, has a fairly limited gamut. Representing Pantone spot colors in CMYK values results in a wider difference of appearance between printed output and digital artwork.

When workflows demand that Pantone colors use CMYK values, Adobe recommends that you use the Pantone Plus Series® global colors instead of spot colors. If you must use Pantone spot colors that use CMYK values, see the following workarounds.

From the folder Adobe Illustrator [CS6 or CC]/Presets/[language]/Swatches/Color Books/, remove all the libraries that have names starting with Pantone+.


From an older version of Illustrator (CS2-CS5), copy all the Pantone libraries with extension .acb and place into: Adobe Illustrator [CS6 or CC]/Presets/[language]/Swatches/Color Books.


Copy all Pantone libraries with extension .acbl and place into: Adobe Illustrator CS6/Presets/[language]/Swatches/Color Books/Legacy.


Relaunch Illustrator, and open all the document profiles from:

• Mac OS: [user]/Library/Application Support/Adobe/Adobe Illustrator [CS6 or CC]/[language]/New Document Profiles

-or-

• Windows 7: [drive]/Users/[user]/AppData/Roaming/Adobe/Adobe Illustrator [CS6 or CC] Settings/[language]/[binary]/New Document Profiles

-or-

• Windows XP: [drive]/Documents and Settings/[user]/Application Data/Adobe/Adobe Illustrator [CS6 or CC] Settings/[language]/New Document Profiles
  

For each profile, choose Spot Colors from the Swatches panel (Window > Swatches), select Use CMYK values from the manufacturer's process books, then click OK.
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Save and close all document profiles, then restart Illustrator again.

Use this workaround only if you encounter missing colors in legacy documents opened in Illustrator CS6 or CC. It is not recommended to use older Pantone libraries to add new colors to a document.

From an older version of Illustrator (CS2–CS5), copy all Pantone libraries with extension .acb and place into this folder: Adobe Illustrator [CS6 or CC]/Presets/[language]/Swatches/Color Books.

No. There is no change in this process. To add a spot color to a document, open the color book and click the desired swatch.

In Illustrator CS5 and earlier versions, which included the older versions of the Pantone color books, most spot colors from Pantone had two definitions: Lab and CMYK. In addition, the default setting in the Spot Color Options dialog box was CMYK. CMYK values took priority over Lab values. The spot color added to the document usually came with CMYK values.

If you need the same spot colors to be identical in CS5 (and earlier) and CS6/CC, take the following steps, see Workaround 1: Replace Pantone Plus with older Pantone color books.

This workaround makes the Pantone spot color uniform across different versions of Illustrator. However, it could impact cross-product workflows with InDesign and Photoshop, if you are using the Pantone Plus Series® with these apps.

No. Files from earlier versions open successfully. Spot color definitions are preserved along with their original definitions.

An exception: opening legacy files that contain linked PSDs or TIFF files that have spot channels from older Pantone color books.

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Importing PSDs and TIFF files with spot channels containing older Pantone colors

PSD and TIFF files that contain spot channels from color books retain a link to the color book. When you place-link such files in an Illustrator CS6 or CC document, the system searches for the color information for spot channels in the installed Pantone Plus color books. If an identically named color is found in any of the available spot color books, the system fetches it and links to the file or opens the legacy file. (This process is also true for opening legacy ai/eps/pdf/indd files that contain links to such PSDs or TIFFs.) During this process, there can be a slight difference in how the color appears (compared to Illustrator CS5 or earlier). There are two possible reasons for the difference of appearance:

• The Spot Color Options setting may have been CMYK in the older Illustrator version, and Lab in CS6 or CC.
• Pantone may have changed the definition of the color in Pantone Plus.

If the color used in spot channels isn't found, Illustrator displays a warning and places the file with the spot color turning black. However, it retains the color as a spot color (Illustrator converts the color to a default black spot for the swatch values instead of coverting it to a process color).

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For workarounds, see Workaround 1: Replace Pantone Plus with older Pantone color books and Workaround 2: Make older Pantone libraries available for missing colors.

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